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JakeLeon
04-15-2011, 02:25 PM
I haven't seen this on hear yet (sorry if I missed it). I noticed a number of questions about alternate base voicings of chords and though I would through in my favorite chord shape.

It is based on an open D chord and sounds crystal clear when over driven.

E Chord
E A D G B E
__________
0 2 2 4 5 0

This lacks the 3rd but it can be added by adding second fret on the 1st string

Also this allows the form to be moved like a power chord

E A D G B E
__________
X 0 2 4 5 X

The reason this is so nice is that it lets the electric sit above the mix a little when using this for chords further up the neck

Also the position of the pinky (on B-string) makes it easy to drop to the major 7 for the 8-7-5 sound so common in CCM.

One of the best advantages is the ease of doing alternate bass notes with this movable form.

E/B

E A D G B E
__________
X 2 2 4 5 X

E/C#

E A D G B E
__________
X 4 2 4 5 X

E/F#

E A D G B E
__________
2 2 2 4 5 X

E/G#

E A D G B E
__________
4 2 2 4 5 X

Ect...

and of course this can be moved all over the neck to achieve these chords in any key. I would say this form makes up over 50% of my rhythm electric chords (works great with .8th delay).

Best way to cement this one in your fingers is to learn Crash by Dave Matthews.

MadHatter
04-15-2011, 09:55 PM
I use the top half of this form quite often...
but hadn't thought of all the different bass options that you pointed out...
thanks... I'll give this a try